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Landscape with Charon Crossing the Styx : ウィキペディア英語版 | Landscape with Charon Crossing the Styx
''Landscape with Charon Crossing the Styx'' is a painting by the Flemish Northern Renaissance artist Joachim Patinir. Dating to c. 1515–1524, it is in the Museo del Prado of Madrid, Spain. ''Landscape with Charon Crossing Styx'' fits into common Northern Renaissance and early Mannerist trends of art. The 16th century witnessed a new era for painting in Germany and the Netherlands that combined influences from local traditions and foreign influences. Many artists, including Patinir, traveled to Italy to study and these travels to the south provided new ideas, particular concerning representations of the natural world. Patinir's religious subjects, therefore, incorporate precise observation and naturalism with fantastic landscapes inspired by the northern traditions of Bosch. ==Iconography== It depicts the classical subject related by Virgil in his ''Aeneid'' (book 6, line 369) and Dante in the ''Inferno'' (book 3, line 78) at the centre of the picture within the Christian traditions of the Last Judgment and the Ars moriendi. The larger figure in the boat is Charon, who transports the souls of the dead to the gates of Hades. The passenger in the boat, too minute to distinguish his expressions, is a human soul deciding between Heaven, to his right (the viewer's left), or Hell, to his left. The river Styx divides the painting down the centre. It is one of the four rivers of the underworld that passes through the deepest part of hell. On the painting's left side is the fountain of Paradise, the spring from which the river Lethe flows through Heaven. On the right side of the composition is Patinir's vision of Hell, drawing largely on Boschian influences. He adapts a description of Hades, in which, according to the Greek writer Pausanias, one of the gates was located at the southern end of the Peloponnesus, in an inlet still visible on the Cape Matapan. In front of the gates is Cerberus, a three-headed dog, who guards the entrance of the gate and frightens all the potential souls who enter into Hades. The soul in the boat ultimately chooses his destiny by looking toward Hell and ignoring the angel on the river-bank in Paradise that beckons him to the more difficult path to Heaven.
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